Revealed: The ghost fleet of the recession | Mail Online
http://www.dailymail.co.uk/home/moslive/article-1212013/Revealed-The-ghost-fleet-recession.html

"Here, on a sleepy stretch of shoreline at the far end of Asia, is surely the biggest and most secretive gathering of ships in maritime history. Their numbers are equivalent to the entire British and American navies combined; their tonnage is far greater. Container ships, bulk carriers, oil tankers - all should be steaming fully laden between China, Britain, Europe and the US, stocking camera shops, PC Worlds and Argos depots ahead of the retail pandemonium of 2009. But their water has been stolen. They are a powerful and tangible representation of the hurricanes that have been wrought by the global economic crisis; an iron curtain drawn along the coastline of the southern edge of Malaysia's rural Johor state, 50 miles east of Singapore harbour."

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Good article from the Daily Fail shock!

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They say seeing is believing. And while in this day of electronic picture manipulation that might not be as true as it once was, these pictures are regarded as by many to be the real deal - photographic evidence of ghosts. Faking ghost photos through double exposure and in-the-lab trickery has been around as long as photography alone; and today, computer images programs can easily and convincingly produce ghost images. But these photos are generally thought to be untouched, real portraits of the unexplained.

They say seeing is believing. And while in this day of electronic picture manipulation that might not be as correct as it once was, these photographs are considered by many to be the real deal - photographic evidence of ghosts. Faking ghost pictures through double exposure and in-the-lab trickery has been around as long as photography alone; and today, computer graphics programs can easily and convincingly create ghost images. But these photos are generally thought to be untouched, genuine portraits of the unexplained.

They say seeing is believing. And while in this day of electronic picture manipulation that might not be as true as it once was, these pictures are regarded as by many to be the real deal - photographic evidence of ghosts. Faking ghost photos through double exposure and in-the-lab trickery has been around as long as photography itself; and today, computer graphics programs can easily and convincingly produce ghost images. But these photos are usually thought to be un-tampered with, real portraits of the unexplained.

They say seeing is believing. And while in this day of electronic picture manipulation that might not be as correct as it once was, these pictures are considered by many to be the real deal - photographic evidence of ghosts. Faking ghost photos through double exposure and in-the-lab trickery has been around as long as photography itself; and today, computer images programs can easily and convincingly produce ghost images. But these pictures are usually thought to be un-tampered with, real portraits of the unexplained.

They say seeing is believing. And while in this day of electronic picture manipulation that might not be as true as it once was, these photographs are considered by many to be the real deal - photographic evidence of ghosts. Faking ghost photos through double exposure and in-the-lab trickery has been around as long as photography itself; and today, computer images programs can easily and convincingly produce ghost images. But these pictures are generally thought to be un-tampered with, real portraits of the unexplained.

They say seeing is believing. And while in this day of digital picture adjustment that might not be as true as it once was, these pictures are regarded as by many to be the real deal - photographic evidence of ghosts. Faking ghost photos through double exposure and in-the-lab trickery has been around as long as photography itself; and today, computer images programs can easily and convincingly produce ghost images. But these pictures are usually thought to be untouched, genuine portraits of the unexplained.

They say seeing is believing. And while in this day of electronic image manipulation that might not be as true as it once was, these photographs are regarded as by many to be the real deal - photographic evidence of ghosts. Faking ghost pictures through double exposure and in-the-lab trickery has been around as long as photography alone; and today, computer images programs can easily and convincingly produce ghost images. But these pictures are usually thought to be untouched, genuine portraits of the mysterious.

They say seeing is believing. And while in this day of digital picture manipulation that might not be as true as it once was, these pictures are regarded as by many to be the real deal - photographic evidence of ghosts. Faking ghost pictures through double exposure and in-the-lab trickery has been around as long as photography itself; and today, computer graphics programs can easily and convincingly produce ghost images. But these pictures are usually thought to be un-tampered with, genuine portraits of the unexplained.

They say seeing is believing. And while in this day of digital image manipulation that might not be as true as it once was, these pictures are considered by many to be the real deal - photographic evidence of ghosts. Faking ghost photos through double exposure and in-the-lab trickery has been around as long as photography itself; and today, computer graphics programs can easily and convincingly create ghost images. But these photos are generally thought to be un-tampered with, genuine portraits of the unexplained.

They say seeing is believing. And while in this day of digital picture adjustment that might not be as correct as it once was, these pictures are considered by many to be the real deal - photographic evidence of ghosts. Faking ghost photos through double exposure and in-the-lab trickery has been around as long as photography itself; and today, computer graphics programs can easily and convincingly create ghost images. But these photos are generally thought to be un-tampered with, genuine portraits of the unexplained.

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