Anonymous(tm)
http://www.ms-studio.com/FontSales/anonymous.html

Anonymous (2001) is a TrueType version of Anonymous 9, a freeware Macintosh bitmap font developed in the mid-90s by Susan Lesch and David Lamkins. It was designed as a more legible alternative to Monaco, the mono-spaced Macintosh system font. The original was available in only 9-point. I’ve added 8-, 10-, and 11-point

a nice serif font - designed as a "more legible" alternative to Monaco

Nice programming font.

this bookmark brought from the different place.

http://www.fsd.it/fonts/pragma.htm

a font for programmers.

nice free monospaced font designed for coding. will have to try it out and see if I like it better than andale mono

programming font

The latest MacOS release (10.6, or “Snow Leopard”) comes with a new monospace font. It’s called “Menlo” and it’s a slightly modified form of the standard Linux font (with appropriately weightly Linux name) “DejaVu Sans Serif Mono”, which is itself an updated form of Bitstream Vera Sans Mono. Apple’s modifications are a definite improvement to my eyes, mostly because they thicken up some of the wispier glyphs from DejaVu, like the underline and period. There’s a great comparison over here. One thing that bothered me, though, is that they turned the zero into a 1980s-style “slashed circle”. Unhip, daddy-o! Naturally I searched for a font editor, and the best one I found was Font Forge, an old Linux app ported to the Mac but still requiring X11. So that’s two ways OS X is borrowing from Linux for font support. What’s up with that? Was there an elite cadre of fontistas working on Linux machines in a secret bunker? Linux is, um, not usually known for its great designers.

The latest MacOS release (10.6, or “Snow Leopard”) comes with a new monospace font. It’s called “Menlo” and it’s a slightly modified form of the standard Linux font (with appropriately weightly Linux name) “DejaVu Sans Serif Mono”, which is itself an updated form of Bitstream Vera Sans Mono. Apple’s modifications are a definite improvement to my eyes, mostly because they thicken up some of the wispier glyphs from DejaVu, like the underline and period. There’s a great comparison over here. One thing that bothered me, though, is that they turned the zero into a 1980s-style “slashed circle”. Unhip, daddy-o! I couldn’t limit my tweaking to the zero glyph, so in the end I made about a dozen changes. Bitstream released these fonts with a very open license that only requires that you change the name if you change anything about the font, so I'm releasing my changes with the same license, as the font “Mensch”.